Obviously, I’m not going to go into details here. Today we’re looking at Whiskerwinks’ last performance before his sordid and untimely death in 1997. But how then do we square this with what we know of Whiskerwinks’ personal life? Does the fact that he moved audiences to tears in a sell-out run of Hamlet in the West End mean that we can ignore the allegations made against him by his own son in his explosive tell-all biography “Body of a Mouse, Heart of a Rat”? Do his multiple Oscars erase the stain of years of virulent anti-gerbil statements and cat apologia? Is his legacy as a performer so great that we can overlook his legacy as a husband and father, and the hurt that his behaviour caused his wife and 716 children? Are we really just going to forget the time he got off his face on Gouda at the 69 th Academy Awards and scurried up Meryl Streep’s leg, causing her to jump on a chair and shriek “EEK!”? To see Whiskerwinks on screen is to see a master in full command of his art. He could do more with a twitch of his whiskers than most other actors could do with their whole tails. A mouse who smashed the Hollywood fur barrier and went on to to give life to such iconic roles as “Mouse in Shawshank Redemption”, “Mouse in Fiddler on the Roof” and Willy Loman in the 1985 screen version of Death of a Salesman. Without a doubt the greatest mouse actor who has ever lived, a performer of incomporable range and depth. I know this is a question that you’ve all asked yourselves at one point or other, but I’ll ask it anyway how do we talk about Snuffly Whiskerwinks?Īs a young mouse growing up in a human world, Whiskerwinks was more than a hero. If you’d like me to review a movie, please consider supporting my Patreon.
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